August 17, 2014 § 10 Comments
From the Hebrew name “Channah”, meaning “favor” or “grace”.
VARIATIONS and NICKNAMES:
Aina, Ana, Anabel, Anabela, Anabell, Anabella, Anabelle, Anais, Anca, Ane, Aneta, Ania, Anica, Anika, Aniko, Anita, Anja, Anka, Anna, Annabel, Annabela, Annabell, Annabella, Annabelle, Annabel, Anne, Annetta, Annette, Anneli, Anni, Annica, Annick, Annie, Annika, Anniken, Annikki, Annukka, Annushka, Annuska, Anny, Anushka, Anya, Chanah, Channah, Hana, Hanna, Hanne, Hannele, Hania, Hena, Henda, Hendel, Hene, Henye, Jana, Janna, Joanna, Joanne, Johanna, Johannah, Nainsi, Nan, Nancie, Nancy, Nanette, Nannie, Nanny, Nina, Ninon, Ona, Onna, etc.
REFERENCES IN LITERATURE:
– Hannah, a houseservant at the Elliston’s, in “Major Molly’s Christmas Promise” from Nora Perry’s A Flock of Girls and Boys (1895).
– Hannah, the servant in the Rivers household, in Jane Eyre, 1847, by Charlotte Bronte.
– Hannah, “a civil, pretty-spoken girl”, housemaid at Randalls and daughter of Mr. Woodhouse’s coachman, James, in Jane Austen’s Emma (1815).
– Aunt Hannah, who might be a fallback matron for Hope should something happen to Mrs. Bell, in “What Hope Bell Found in Her Stocking”, from The Youngest Miss Lorton, and Other Stories by Nora Perry (1889).
– Hannah Arendt (1906-1975), German-American political theorist and writer.
– Henry Wadsworth Longfellow’s “Elizabeth” (published in 1873, but set in 1701-02; from Tales of a Wayside Inn, Part the Third: The Theologian’s Tale) tells the love story of John Estaugh (1676-1742) and Elizabeth Haddon (1680-1762), with her servants Joseph and Hannah as supporting characters, and Hannah described thusly: ” . . . Hannah the housemaid / Laughed with her eyes, as she listened, but governed her tongue, and was silent, / . . . Hannah the housemaid, the thrifty, the frugal . . . / . . . for a season was silent the penitent housemaid; / . . . Nothing was heard for a while but the step of Hannah the housemaid / Walking the floor overhead, and setting the chambers in order. / And Elizabeth said, with a smile of compassion, ‘The maiden / Hath a light heart in her breast, but her feet are heavy and awkward.’ / . . . Hannah the housemaid, the homely, was looking out of the attic, / Laughing aloud at Joseph, . . . / . . . Hannah the housemaid / Diligent early and late, and rosy with washing and scouring, / Still as of old disparaged the eminent merits of Joseph, / And was at times reproved for her light and frothy behavior, / For her shy looks, and her careless words, and her evil surmisings, / . . . And not otherwise Joseph, the honest, the diligent servant, / Sped in his bashful wooing with homely Hannah the housemaid; / For when he asked her the question, she answered, ‘Nay;’ and then added: / ‘But thee may make believe, and see what will come of it, Joseph.'”